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Projects | Bio | Resume | Contact |
acrStudio |
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Art | Design | Word | Cultural Lackey | Teaching |
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Selected works from 2010 | 2009 - 2006 | 2005 - 2004 | 2003 - 2000 | 1999 - 1994 |
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Selected paintings, assemblage and other works |
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![]() The Four Humiliations, 2009 Ceramic, enamel, 18 x 42 x 14" |
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![]() Persian Love Affair, 2009 Paper, ceramic, wood, rubber, metal, ink, foam, acrylic, 126x72x16" variable |
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![]() There's No Business, Silkscreen on vellum, 2009, 30x20" |
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![]() Scrapbook #1, 2009 Inkjet print, silkscreen, ink on acetate, dimensions variable 17 x 13" |
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![]() Scrapbook #2 (The 8th Proposition), 2009 Silkscreen print, cut paper, felt, 18 x 14" |
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![]() Scrapbook #3 (Things Discarded), 2009 Inkjet print, collage, cut paper silkscreen, ink, book, dimensions variable 15 x 7" |
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Tabula Rasa, Ceramic, Wood, 2007 |
![]() Tabular Rasa (Verso) |
![]() Safehouse, 2008 Ceramic, Wood, Acrylic |
![]() Safehouse Detail |
![]() Bearer of Tidings, 2006, Ceramic, metal, 38x12x5" |
![]() Kalliphobia, 2006, Ceramic, rubber, metal, photographic print on postcard, ink, 36 x 11 x 8" The hand written text cut out of rubber is from a line in Arthur Rimbaud's poem of 1873, A Season in Hell: "One day I sat Beauty on my knees, and I found her bitter, and I abused her." "I felt this expressed the attitude of the later Dada artists exactly. They found beauty bitter because they were embittered by a society that venerated beauty. In unleashing a terrible war, it abused justice. In symbolic retribution, the artists abused beauty." - Arthur C. Danto about this quote written in an article titled "Kalliphobia in Contemporary Art", Art Journal, 2004 |
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![]() Glutton's Horn, 2008 Ceramic |
![]() Birdhouse, 2008 Ceramic, Wood |
Andrew Cornell Robinson acrStudio Inc. © 2009