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Art | Design | Word | Cultural Lackey | Teaching
Selected works from 2010 | 2009 - 2006 | 2005 - 2004 | 2003 - 2000 | 1999 - 1994

Selected paintings, assemblage and other works


The Four Humiliations, 2009
Ceramic, enamel, 18 x 42 x 14"

Persian Love Affair, 2009
Paper, ceramic, wood, rubber, metal, ink, foam, acrylic, 126x72x16" variable

There's No Business, Silkscreen on vellum, 2009, 30x20"
Scrapbook #1
Scrapbook #1, 2009 Inkjet print, silkscreen, ink on acetate, dimensions variable 17 x 13"
Scrapbook #2 (8th Proposition)
Scrapbook #2 (The 8th Proposition), 2009 Silkscreen print, cut paper, felt, 18 x 14"
Scrapbook #3
Scrapbook #3 (Things Discarded), 2009 Inkjet print, collage, cut paper silkscreen, ink, book, dimensions variable 15 x 7"

The Banker and the Peasant, 2009
Silkscreen, paper, acetate, ink, pencil, wood, glass, ceramic, plaster, foam, enamel.

Crime Drama, 2008, Oil, Wood Tondo, Glass, Plastic, Rubber, Ceramic, Metal, String, 48x70"

Detail

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Mrs. Ritterbush has a secret, September 2008
Oil, Canvas, Leather, Rubber, Glass Eyes, 18x23"

Mrs. Kim has a new appliance, September 2008, Oil, Canvas, Ceramic, 19x21x12"

Mr. Allende, September 2008, Oil, Canvas, Ceramic, Metal hooks, 18x31x2.5"

Mr. Jablonski, August 2008, Oil, Canvas, Grommets, Plastic, Wire, Silk Ribbon, String, Ceramic, Rubber, 18x40x2"

Mr. Loeb, September 2008, Oil, Canvas, Ceramic, Metal, Framed Ink Drawing, 18x30x4"

Strange Fruit I, 2006, Oil, Canvas, Wood and Clay, 42x22x7"

Agnostic Foot, work in progress, 2008/2009, Oil, Canvas, Ceramic, Metal, Rubber, Plastic, Silkscreen Print, 49x22x4"

Strange Fruit II, 2006, Oil, Canvas, Wood, Paper, 47x22x8"

Party Favor, 2006, Oil, Canvas, Wood, Brass Grommets, Silk Ribbon, Clay, 35x22x7"

Detail

Strange Fruit IV, 2006, Oil, Canvas, Wood, Clay, 35x22x7"

untitled (Altar for Naroo), 2006, Oil, Canvas, Wood, String, Lead, Glass, Wire, Clay

Oracle, 2007, Oil, Canvas, Wood, Wire, Clay

Detail

Strange Fruit (Ghost), 2007 (Work In Progress)
Oil, Canvas, Wood, Metal, Wire, Plastic, Ceramic.

Strange Fruit (Ass of War), 2007
Oil, Canvas, Wood, Ceramic.

Untitled, 2007, Framed silkscreen on vellum, ceramic, wood, metal.

The Eye of Petronius Arbiter, 2008
Oil, Canvas, Ceramic

Work in progress "Morass"
Wall mounted mixed media, approximately 7'


Details

Work in progress "Teen Wolf"
Wall mounted mixed media, approximately 5"

Detail

untitled, (The Platitudes of History), 2006, Oil, Canvas, Wood, Clay, Rubber, Wire, Paper

Detail
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The Measure of a Man, 2006, Oil, sewn toil, linen and cotton canvas, wood, wire, paper and porcelain, 91 x 90 x 12"

Suck, 2007, Oil, on sewn and embroidered canvas and toile, 84x72"
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Immigrant's Altar, 2006, Oil, Paper, Ink, Wire, Silk Ribbon, Wood, Rubber, Brass, Ceramic, 54 x 42 x 15 Inches

Tisquantum, 2007
Oil, Canvas, Sewn and Embroidered Fabric, Ceramic and Wood. 82 x 72 x 12"

Immigrants Altar (Detail)

Immigrants Altar (Detail)

Selected Cermaic and Mixed Media

Tabula Rasa, Ceramic, Wood, 2007


Tabular Rasa (Verso)

Safehouse, 2008
Ceramic, Wood, Acrylic

Safehouse Detail

Bearer of Tidings, 2006, Ceramic, metal, 38x12x5"
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Kalliphobia, 2006, Ceramic, rubber, metal, photographic print on postcard, ink, 36 x 11 x 8"

The hand written text cut out of rubber is from a line in Arthur Rimbaud's poem of 1873, A Season in Hell: "One day I sat Beauty on my knees, and I found her bitter, and I abused her."

"I felt this expressed the attitude of the later Dada artists exactly. They found beauty bitter because they were embittered by a society that venerated beauty. In unleashing a terrible war, it abused justice. In symbolic retribution, the artists abused beauty." - Arthur C. Danto about this quote written in an article titled "Kalliphobia in Contemporary Art", Art Journal, 2004

Glutton's Horn, 2008
Ceramic

Birdhouse, 2008
Ceramic, Wood


Andrew Cornell Robinson acrStudio Inc. © 2009